Showing posts with label Tombstones (NOR). Show all posts
Showing posts with label Tombstones (NOR). Show all posts

Saturday, 28 December 2013

2013 Chronicle (Year in review) part 11 - Best of October 2013


So here is the stunning conclusion of our monthly looks back at MMXIII in music.  Now, I can hear some of you grumbling, "what about November and December?"  Patience, those months will be covered next year.  I learned a hard lesson last year that you can't possibly find all the best albums, let alone process them without the proper perspective that can only come with the passage of time.  So enjoy, October was the best month of the year for releases, there were at least 50 albums I could have chosen for the Best of October.  It was tough whittling it down to 20 ...

October 1 - Black Rainbows (Holy Moon EP)

October 1 - Horisont (Time Warriors)

October 4 - Argus (Beyond the Martyrs)

October 4 - IRON MAN (South of the Earth) - Everything came together just right for Iron Man on 'South of the Earth', the band's fifth full-length album and first with the current line-up, to create an album that resonates long after it's finished.  Guitarist and sole remaining original member Alfred Morris III put in the performance of a lifetime, flashing a fluid hand at blues and doom fundamentals while blazing when called upon, there isn't much he doesn't do on this album and do well.  On the opposite side of the stage Louis Strachan put in the bass guitar performance of the year, complimenting Morris III with wah funk while blazing a few trails of his own.  Vocalist Dee Calhoun provides the exclamation point marrying memorable, well-crafted lyrics to a booming, expressive voice while drummer Mot Waldman both punctuates and reinforces the whole thing.  After recording the album independently it got the notice of Lee Dorrian of Rise Above Records who promptly signed the band to the label.  The album was released and distributed by Rise Above / Metal Blade Records and the band is closing out the year and ringing in the new with a first-ever trip to London to perform at the Rise Above 25th Anniversary Show.  The success of the band couldn't have happened to a more deserving bunch of musicians.  Original review here.  Get it hereHighlights include: "South of the Earth" and "Whore In Confession".  Rating 5/5

October 9 - TOMBSTONES (Red Skies & Dead Eyes) - Granite heavy Norwegian doom trio, Tombstones summoned their fourth album from the molten depths and released it on SoulSeller Records.  In some ways 'Red Skies' continues along the familiar trajectory of their last album, 'Year of the Burial', but I would say this new one is thicker in sound, atmosphere and composition.  Original review here.  Get it hereHighlights include: "Black Moon" and "Obstfelder".  Rating 4.5/5

October 15 - ORANSSI PAZUZU (Valonielu) - Finnish blackened space rock quintet (yes, you read that correctly) Oranssi Pazuzu may not have set out to, but they ended up recording and releasing one of the best horror soundtracks of the year.  "A space ship broken down on a remote asteroid, the crew must find shelter in the caves, but it is only there that they encounter ... the shape!"  or something.  This is a terrific, atmospheric album but beware of harsh vocals.  Original review here.  Get it hereHighlights include: "Uraanisula" and "Vino Verso".  Rating 4.5/5

October 15 - RED FANG (Whales & Leeches) - Red Fang's long awaited return may have resulted in the most underrated album of the year.  Many were disappointed with the direction the band took on this one favoring battering ram rock n roll over sludgier compositions, an uptempo direction which also carries the bulk of the band's beloved fun factor.  Go into it with no expectations however, and 'Whales & Leeches' is a terrific album.  Get it hereHighlights include: "Crows in Swine" and "Blood Like Cream".  Rating 4.5/5

October 15 - UZALA (Tales of Blood & Fire) - Uzala's second album is a dark slice of doom sludge with psychedelic overtones.  A specific kind of atmosphere penetrates the listener in the same way that the abyss stares back at you.  'Tales of Blood & Fire' is less an album and more an addiction.  Original review here.  Get it hereHighlights include: "Seven Veils" and "Dark Days".  Rating 4.5/5

October 17 - MONSTER MAGNET (Last Patrol) - Dave Wyndorf and company returned after a three year absence with the most psychedelically tinged Monster Magnet album since 'Dopes To Infinity' on this date.  Though the band is getting older they show no signs of slowing down, but every now and then they got to trip out for awhile, get a grasp on life's ever-changing perspective.  That's what this album's all about.  Original review here.  Get it hereHighlights include: "Last Patrol" and "Mindless Ones".  Rating 4.5/5

October 18 - Seremonia (Ihminen)

October 20 - Space God Ritual (Eldritch Tales)

October 21 - GAGGLE OF COCKS (Low Class Trendsetter) - This upstate New York power trio's second album and first in about 12 years is the place to go for some high powered in your face rock n roll.  I'll admit I wasn't expecting to like this album very much but even if it had been on my most anticipated list it still would have floored me with its hooky power and unrelenting heaviness.  Get it hereHighlights include: "Low Class Trendsetter" and "Black Helicopters".  Rating 4/5

October 28 - Bardo Pond (Peace on Venus)

October 28 - MOUNTAIN WITCH (Cold River) - Now we've come to what is arguably the best retro rock record of the year.  'Cold River' was all about seventies sounds and dark feelings.  The eight songs on this album were built around expansive structures, extended instrumental sections and solid resonant vocals giving the album depth.  Original review here.  Get it hereHighlights include: "Shrubbery the Warlock" and "Sleepers Chant".  Rating 4.5/5

October 29 - Noctum (Final Sacrifice)

October 30 - At Devil Dirt (Plan B: Sin Revolución no hay Evolución)

October 30 - BLIZARO (Strange Doorways) - This mammoth 40-song 2-disc collection drags a rake across John Gallo and co.'s back catalog of demos and give them their much deserved first official release.  Add to that a whole other demo album's worth of material previously unavailable anywhere and you've got a horror doom must have.  Original review here.  Get it hereHighlights include: "Sacrifice" and "Demonhenge".  Rating 5/5

October 31 - Crypt Trip (ST EP)

October 31 - In The Company of Serpents (Of the Flock)

October 31 - ZEMIAL (Nykta) - This expansive, hour-long nine-song album released through Hell's Headbangers Records probably flew well under the radar of most doom metal fans because this Greek one man project is categorized as Black Metal.  But there's more doom here than black metal.  Actually, this one takes a sweeping survery of metal in general touching on different movements at different points throughout.  Old school metal and doom are of course the standout moments here.  Thankfully there's a good number of them.  Get it hereHighlights include: "Ancient Arcane Scrolls" and "Eclipse".  Rating 4/5



Best Album From June 2013:
'From the Dark' by NYMF

Best Song From June 2013:
"Woodbine" by WINDHAND



PARANOID Thoughts:
Scandanavian (/Teutonic) Retro Rock has been all the rage here at the Paranoid Bunker the past couple years.  2013 saw some excellent releases, especially toward the end of the year.  There is an American variation of the form, perhaps best exemplified by bands like Demon Eye and Doctor Smoke, but we're going to focus on the region that started it all with Swedish underground band Norrsken, who broke up before officially releasing any recordings (although a bootleg copy of their demos exists) and branching off into the two most influential groups of the style: Witchcraft and Graveyard.

The quality that makes "Retro Rock" is nearly indefinable or at least requires exactly the king of technical language that is not part of my toolbox.  Basically, if it sounds "old", but is actually "new" it is retro rock.  Devil's 'Gather the Sinners' and Magister Templi's 'Lucifer Leviathan Logos' albums fit that mold perfectly but they would be more accurately described as "Retro Metal".  Anyway, you know it when you hear it.  

And I hope you had a good year, I'm sure it had its challenges but I'd imagine you're tougher for the experience.  Have a good 2014 and we'll see each other on the other side for another series of Chronicles next year.  Thanks for reading!

Here are my ten favorite Retro Rock albums of the year ...

Top 10 Retro Rock Albums:
1). Mountain Witch - 'Cold River'
2). Brutus - 'Behind the Mountains'
3). Kadavar - 'Abra Kadavar'
4). Horisont - 'Time Warriors'
5). Seremonia - 'Ihminen'
6). Noctum - 'Final Sacrifice'
7). Spirits of the Dead - 'Rumours of a Presence'
8). Doublestone - Self-titled EP
9). Vidunder - Self-Titled
10). Spiritual Beggars - 'Earth Blues'

Monday, 11 November 2013

Tombstones - Red Skies & Dead Eyes (album review)

Cover artwork by Glyn Smyth.
One of the heaviest bands in the entire world is Norwegian trio, Tombstones (not to be confused with French trio Tombstone or Finnish trio Tombstoned).  I was introduced to the band when I picked up their third album, and Soulseller Records debut, 'Year of the Burial' [SSR-050] on a whim last summer.  Once I heard the album and got into it, I felt it flew a bit undeservedly under the radar.  I never reviewed the album here on PH, but I gave it a 4.5 star rating on my year in review feature.  The most overwhelming feature of 'Year of the Burial' was its heaviness.  It moved at a solid pace through six tracks of Black Sabbath riffs and solid drumming.  Their latest, 'Red Skies & Dead Eyes' [SSR-068] has only improved on the winning formula and captures a stronger sense of the band's unique identity.

Tombstones put their best foot forward with opening track "Black Moon" which takes the listener to three levels of heaviness.  The first level starts off during the opening pre-verse part of the song with a slippery riff that brings to mind Windhand's latest album.  But then, as though exposed from the underworld by violent earthquake, the main riff kicks in, heavy, chugging and meaning business.  Some strong vocal harmonies during the chorus lead into a third tier of heaviness and it's positively brain liquifying.  Seemingly caused by a sudden earth shift, the song starts to slide sideways towards the listener's own personal choppy doom.  It all happens so suddenly, one minute the earth is pushing upward in upheaval, the next it's sliding sideways.  "King of Daze" keeps the energy level high and the grooves tight, the song is like the meeting place between Conan and High on Fire, swampy in places, boisterous in others.

When talking about Tombstones heaviness, it would be easy to become lost in an ecstasy of similes and metaphor, throwing out such phrases as Atomic Weapon, Nuclear Warhead or Weapons of Mass Destruction, but "Obstfelder" takes me to a place and time before the splitting of the atom, but remains very much on the field of battle.  This 10 minute megalith draws immediately to mind the image of trench warfare.  It brings me to The Great War wherein soldiers on horseback fought alongside tanks, Enemy Aces circled the skies for the first time and U-Boats ensured that no place on earth was safe and there could never be a moment's rest from eternal vigilance.  The song is slow and muddy.  The danger of infection looms constantly.  This is the moment where the band fully embraces its own power, reveling in it, wallowing in it.  They become heavy-happy and the band have now become a danger to all around them.  It's easy to imagine how the band could become drunk on their own heaviness.  Just plug in, make a chord and slice away ... let it ring ... and ring ... and ring ... then chop away again.  In fact, it seems like the most natural approach in the whole world for a band this heavy to take.

"The Other Eye" continues those old battlefield feelings with a couple minute intro which sounds like it was lifted directly from the theater of conflict.  Much of the war torn atmosphere comes from the drums of Jørn Inge Woldmo, whose drumwork on the album as a whole is at different times atmospheric (not an easy feat to pull off), pummeling and downright groovy.  The song then spills out into an evil sounding Black Sabbath-like riff.  It's a phrase you may have heard a thousand times in doom reviews, but Ole Christian Helstad (bass / vocals) and Bjørn-Viggo Godtland (guitar / vocals) defy the odds by managing to keep it fresh with an unexpected twist or turn or two.  The title track whips things back up into an energetic frenzy once again with an all out vocal performance and a waltzy groove, played double time by Woldmo, bringing the album into its third phase and beginning to complete the circle.

'Red Skies & Dead Eyes' is on full streaming down on the player below, but it's not available for download from bandcamp, you're going to have to order it through Soulseller Records like I did, but don't worry, they're good people there.  You can also find the album on itunes, it's full of chubby riffs, chunky refrains and choppy atmospheres.

Highlights include: "Black Moon" and "Obstfelder"

Rating: 4.5/5


Total Run Time: 44:06

From: Oslo, Norway

Genre: Doom, Sludge

Reminds me of: Black Sabbath, Conan, Windhand, Yidhra

Release Date: October 9, 2013

Tombstones on facebook

GET IT HERE

Saturday, 31 August 2013

Hour of Power 08/31/13 (playlist)


  1. Dead Rising (Church of Void / Dead Rising) 2013
  2. DMSLT (A Pale Horse Named Death / Lay My Soul To Waste) 2013
  3. Peace Mind (Beelzefuzz / ST) 2013
  4. The Universe Is Mine (La Chinga / ST) 2013
  5. A Shot of Whiskey Music (It Came From the Desert / TBA (Upcoming Demo)) 2013
  6. Kentucky Bourbon in 80 Grit (Skrogg / Blooze) 2013
  7. Writing on the Wall (Horisont / Time Warrior) 2013
  8. Six To Let the Light Shine Through (Dead Meadow / Warble Womb) 2013
  9. Circle of Lies / Adore the Moon (Touch the Spider / I Spit on Your Grave & Souls For Sale) 2009
  10. Hail to the Haze (Iron Man / South of the Earth) 2013
  11. Black Moon (Tombstones / Red Skies and Dead Eyes) 2013
  12. Stone the Crow (Down / NOLA) 1995 'classic video'

Tuesday, 25 December 2012

2012 Chronicle (Year in review) part 7 - Best of July

July 2 - Beaumont Livingston (Heavens & Fantasies)

July 3 - WITCHSORROW (God Curse Us) - Crushing, devastatingly slow doom from the UK.  There's plenty to love about this album, from memorable hooks to horror film atmospherics and downtuned riffs that lift the listener up only to crash them back down with tremendous impact.  Get it here.  Highlights include "Breaking The Lore" and "God Curse Us".  Rating 4/5



July 10 - ICE DRAGON (Dream Dragon) - Ice Dragon's second full-length album of 2012 (but not their last) was their first overtly psychedelic album.  Listening to this for the first time was like a psychedelic experience in itself.  I was struck speechless, awestruck, flabbergasted.  The most impressive thing about this album was its authentic 60s feel, with some 70s moments like "Beard of Thieves", "Maximum Trip" and "More Than I Can Say For You" to name a few.  But songs like "Dreamliner" and "Dream Dragon" were right out of the 60s.  A perfect combination of my favorite genres and eras of music.  Pay what you want on Bandcamp. Highlights include "Dreamliner" and "Maximum Trip".  Rating 5/5

July 10 - Kadavar (ST)




July 17 - TOMBSTONES (Year of the Burial) - I don't know why I did, but I took a flyer on this one and bought it without hearing it first.  It was a gamble that payed off.  Perfect fuzzy stoner doom riffs as heavy as the band's namesake dropping on your head.  Get your copy here, if you like colossal doom riffs you won't be sorry.  Highlights include "Sabbathian" and "Unveiling".  Rating 4.5/5




July 20 - SOUNDCRAWLER (The Sandcrawler) - This French stoner grunge band was a complete surprise to me.  I didn't like them at first.  Then I gave them another chance and they blew my mind.  This is one of the best EPs of the year and it's a mystery why they have so few 'likes' on Facebook.  I bet we can do something about that, hm?  Just listen to this masterpiece on the link below, if you like stoner rock through a grungy lens you will not be disappointed.  I had an "oh wow" moment with this one too when I listened to "My Mind Is Going Away" on my headphones at work while watching a lightning storm.  Perfect stuff.  Name your price on Bandcamp.  Highlights include "The Sandcrawler" and "My Mind Is Going Away".  Rating 4.5/5


July 24 - ABRAHMA (Through the Dusty Paths Of Our Lives) - Yet another terrific entry from France and yet another excellent album from Small Stone records.  I talked about this one briefly before.  The Vodun suite in the middle of this album is a mini rock opera of dark and epic proportions.  Abrahma were once called Alcohsonic and their sound is now more cosmic psychedelic but they still have terrific stoner chops.  Get it here.  Highlights include "Vodun pt. II - I, Zombie" and "Neptune of Sorrow".  Rating 4.5/5

July 24 - SPINE CHILLING BREEZE (Milky Way) - Another terrific Greek stoner rock band.  This album may have an inconsistent feel in places but it's loaded with individual songs that stick like peanut butter on the brain.  Fuzzy, melodic and catchy as hell.  Download it for free from the band's official page.  Highlights include "Murder" and "Something From Nothing".  Rating 4/5


July 26 - Hogg (.)


July 27 - SWEET LOVE (Motor) - This New England based band plays more straight up rock than stoner but has perhaps the thickest fuzziest guitar sound you will ever hear.  The vocals are akin to Velvet Underground era Lou Reed and it took me a hot minute to get used to them, but regardless, the tone here is absolutely addictive in the same way that the box is in Hellraiser.  Get yours here.  Highlights include "Black Hole" and "The Circle".  Rating 4/5





July 31 - CONAN (Monnos) - This was easily, without a doubt, my most highly anticipated album of 2012 and to top it off I had to wait til September to hear it because I was saving it for when the store got it in.  I wish I'd gotten it sooner but it was worth the wait.  Conan is the heaviest thing on six legs.  They crush with monster riffs, and they've got hooks too.  Get their debut full-length here.  Highlights include "Hawk As Weapon" and "Grim Tormentor".  Rating 4/5

July 31 - HOUR OF 13 (333) - Coming in at a close second for anticipation was Hour of 13's third album.  Well it wasn't what I was expecting, but it was what I was hoping for.  A darker vision from a demon haunted band.  The riffs are there, the hooks are there, the familiarity is there, but it is a different sounding record.  At first I wasn't sure, but as time wore on this album's play count confirmed it, this is the best Hour of 13 album yet.  And with the recent release of their new video this one stays current half a year later.  Well done.  Get it here.  Highlights include "Deny The Cross" and "Rite of Samhain".  Rating 4.5/5

July 31 - THE MIDNIGHT GHOST TRAIN (Buffalo) - Another one I bought on trust and the band came through.  The Kansas three-piece's second full length satisfies in ways I can't even describe.  Songs like "Henry", "Foxhole" and "Southern Belle" are just ... perfect.  I don't even have the words to describe.  Perfect stoner rock.  Get it here.  Highlights include "Southern Belle" and "Henry".  Rating 4/5

Best Album From July 2012:
'333' by HOUR OF 13

Best Song From July 2012:
"Breaking the Lore" by WITCHSORROW

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