Showing posts with label The Bad Light. Show all posts
Showing posts with label The Bad Light. Show all posts

Sunday, 7 April 2013

The Bad Light - Onward Downward (album review)

Cover artwork by Eduardo Cerro (guitars, vocals)
There's always a trace of fear when listening to the latest opus of a favorite new band.  After all, last year's 'Marrow of Sound' was an excellent debut EP from The Bad Light, one that I became quite attached to.  It showcased the band's truly unique blend of stoner blues with hints of jazz elements, especially in the always unpredictable drumming of Nate Gonzales.  I thought quite highly of the effort and was still listening to it regularly in fact when this, their follow-up effort was released a month ago.

As always with The Bad Light, the fuzz tone is something really special here.  It captures the sound and feeling on the high noon sun on the blacktop pavement, it's the sound sweat makes as it pushes through the pores, it boils tars and fries eggs.  I can't tell you whether or not the guitar is double tracked but Edu Cerro never forgets to add a strong dose of melodic counterpoint.  Opening pair "Neuronaut" and "The Judge" sound as though they were written and recorded during the 'Marrow of Sound' sessions, re-capturing the spirit of the band's original offering.

"Looping the Wiring" brings a new sound to the table.  A kind of shucking off of the jazzy improvisational elements to their sound: a straightforward verse-chorus structure with straightforward guitar and drum riffs.  A simplification if you will, showing some heavier or deeper blues influence, specifically The Black Keys particular brand of jump blues.  It's a telling detail that at 3 minutes, 37 seconds it's the shortest of the band's 11 released songs by as much as a minute.  As much as it's a shame to hear the band take a small step away from what made them so unique, they do a bang-up job here.  If this is the direction the band decides to go in, they have not only proven capable of penning the tighter, riffier, catchier, less loping and more structured material, while maintaining a distinctive sound among a widening crop of terrific B.K. influenced bands.

But that's not even the half of it.  "I'll Welcome You At My Door" is the most different of any of their songs to date, a duet for starters, slower and even more bluesy.  The band brought in Kristie Angeline for this duet. A good friend of the band, she matches Eduardo's gruff drunken slurring vocal with soulful force and a comfortable familiarity.

As was their last effort, 'Onward Downward' to me is perfect morning music.  Make that late, late night music.  With the sun coming up over the mountains strangling off the last ancient shadows of the night, desert under foot (if possible).  The whole thing drips with west coast feeling.  Stoned cowboy blues.  There's a few different styles of blues on display here, the more jazzy and organic fried egg fuzz sound of their first demo, a streamlined approach and the rural, back porch, lazily swaying tall grass sound of the duet.  After two EPs worth of eleven tracks, and now some varied material in the bunch, I haven't heard a bad song from this band yet.

Highlights include: "Neuronaut" and "Onward Downward"

Rating: 4/5

Total Run Time: 23:52

Eduardo Cerro - Guitar/Vocals
Nate Gonzales - Drums
Emily Pegoda - Backing Vocals

From: Santa Cruz, California

Genre: Stoner, Blues

Reminds me of: The Black Keys, Heavy Eyes

Release Date: March 7, 2013

Suggested listening activity for fellow non-stoners: 1). Set up two speakers.  2).  Make sure they are facing each other.   3).  Crack an egg and let the contents slide into the space between the speakers.  4). See if the egg doesn't fry.

The Bad Light facebook
The Bad Light official blog


Wednesday, 19 December 2012

2012 Chronicle (Year in review) part 1 - Best of January

Here it is, as promised.  Part 1 of 12 in the year in review ...

January 1 - BLOOD RED WATER (Tales of Addiction & Despair EP) - The year started strongly with the demonic sludge of Italian band Blood Red Water. Their EP "Tales of Addiction and Despair" is a punishing 23 minutes of relentless sludgy doom with the most despairing vocals one can hope to hear  Grab it for free here. Highlights include "Ungod" and "Considerations/Commiserations". Rating 3.5/5

January 4 - IN THE COMPANY OF SERPENTS (ST) - In the Company of Serpents' self titled debut is "best heard through a cloud of dopesmoke and bad vibes", according to the band. Their take on sludge is extremely groove laden and highly addictive. 37 minutes and 6 songs of brutal UK sludge.  You can buy their tape or download the album here. Highlights include "Dirtnap" and "Immolation". Rating 4/5

January 5 - Son of a Witch (ST)

January 5 - ALEPH NULL (Dale EP) - This German doom band released one of the year's better EPs in Dale and it's absolutely FREE on bandcamp.  The title track and "Kill the Colossus" are worth your time (or a possible donation) alone, superbly catchy, heavy and dark.  I haven't been able to get "Kill the Colossus" out of my head since I first heard it.  The rest is great too.  Highlights include "Kill The Colossus" and "Dale".  Rating 4/5

January 8 - Hesper Payne (The Strange Tale of Samuel Gonzalez)

January 16 - Doublestone (Set The World Ablaze)

January 21 - THE BAD LIGHT (Marrow of Sound) - This Californian based band has one of the most unique takes on stoner rock, blending unusual performance styles that sound almost jazz-like, southern fried and lazy, yet the music still comes out distinctly stoner rock.  Sun soaked is a term that comes to mind when thinking about this band.  Their playing styles are often unpredictable and they will push the tension of a build up in a song to the absolute breaking point ... then casually run through the main parts.  The overall effect is something to behold.  This EP really made its hay for me on summer mornings after work.  I can't explain it, but it was the perfect soundtrack for those moments.  You can find the 6 song EP here on bandcamp.  Highlights include "Hypathia" and "Hours Burn".  Rating 4.5/5

January 23 - BEHOLD! THE MONOLITH (Defender, Redeemist) - Excellent, excellent proggy doom with thrash elements Behold! The Monolith's sophomore effort holds not a single bad moment.  They site High on Fire and Mastodon as influences but that really doesn't tell the tale as this band sounds to have transcended their roots and have crafted something highly individualistic.  It's a sci-fi fantasy soundtrack that creates its own visuals.  It's Lord of the Rings in space, it's Star Trek in Mordor.  It's progressive, thrashy doom with neck breaking song structures and killer riffs.  This music is timeless and will be something I come back to for years to come.  And the cover art is excellent.  Get it here. Highlights include "Halv King" and "Desolizator".  Rating 5/5

January 24 - SUMMER LOVE (ST demo) - Anybody who tells you they didn't initially come to this one for the cover art is lying, yet the music found within was truly a pleasant surprise.  This was something I discovered way later in the year but when I found it I made up for the lost time in a major way.  Their name makes it impossible to find any info on the band and their bandcamp page is spare with info as well.  By spare I mean "a complete lack of".  Whatever.  Great doom inspired psychedelic rock with the same vocal effect used by Ozzy on "Planet Caravan" on every song.  That may sound like a gimmick and it may not be everybody's cup of tea but it seems to hit the right spot.  This music is Acid Drenched and terrific.  Highlights include "Voice of a Queen" and "By the Wayside".  Rating 4.5/5

January 27 - PILGRIM (Misery Wizard) - Slow and heavy as a lead bath the lads in Pilgrim play like wizards weaving a spell to slow down and eventually stop all life functions everywhere in the universe.  They make you feel every note and for that reason not a drop of creativity is wasted as the message sinks in heavy as a browbeating. Slow, slow, doom.  Get it here. Highlights include "Astaroth" and "Adventurer".  Rating 3.5/5

January 30 - SPELLJAMMER (Vol. II) - This Swedish foursome's second release totaled three songs and some 26 minutes, each song over 8 minutes long.  Vol. II unleashed a wicked sound of punishing, groovy doom riffs and wailing echoed vocals that sound like a mountaintop lamentation.  The songs were long but were neither repetitive nor overly structured.  The songs were long because the riffs were monumental.  Grab it here.  Highlights include "Electric Ground" and "Aun's Mountain".  Rating 5/5

January 31 - BLACK PYRAMID (II) - Before parting ways with original guitarist / vocalist Andy Beresky the band recorded their second full-length album.  Before releasing 'II' they parted ways with Beresky.   This is a release that sits in no man's land but it produced some very memorable and catchy moments.  Their take on doom was punkier and vaguely Irish sounding in places.  Get it here.  Highlights include "Sons of Chaos" and "Mercy's Bane".  Rating 3.5/5


Best Album from January 2012:
'Defender, Redeemist' by BEHOLD! THE MONOLITH

Best Song from January 2012:
"Kill the Colossus" by ALEPH NULL

Related Posts Plugin for WordPress, Blogger...