Showing posts with label The Heavy Eyes. Show all posts
Showing posts with label The Heavy Eyes. Show all posts

Sunday, 10 February 2013

ITEM! Heavy Eyes, Dirty Streets, Mexicoma & Cortez releases on Bilocation Records

Recently, The Heavy Eyes' 'Maera' album ranked at the number 71 slot on the most played albums of 2012 list on this blog. That may not sound all that impressive at first glance, but when you factor in that it only saw a digital release with under three weeks to go in the year, it gives an idea as to how this record stormed in like a hurricane and bowled me over. I gave it a 5 out of 5 rating in my review and to this very day you can find it lurking around the top 10 albums in the Doom Charts.  Well now it's being released on vinyl and Kozmik Artifactz and Bilocation Records are giving Paranoid Hitsophrenic readers a chance to pre-order it!

Couple that with the fact that the label is also releasing one of the best albums from 2011 that I didn't have, 'Movements' by The Dirty Streets and I was excited to see this email.  If nothing else, it gave me the perfect excuse to finally grab 'Movements' up and strike it off my wishlist.

Not to be outdone however, Mexicoma, those Stoner doomer Swedes are also seeing the vinyl release of their first official, eponymous LP.  And Boston's balls out rockers Cortez are seeing their self-titled album released on CD.  A power packed lineup of four terrific bands that I for one will definitely vouch for.

Read all about it from the press release:


Kozmik Artifactz & Bilocation Records releases!!



we are proud to announce that the pre-sale has started of the following vinyl releases:

THE HEAVY EYES - Maera LP


Heavy
        Eyes
ARTIFACT #11
Release date: late February


PRESS CLIPS

People, this is an album chock full of fuzzed out tones, echoed vocals and stop/start beats that likely would have been on quite a few “best of” lists had it not been released at the ass end of 2012. Listening to The Heavy Eyes is like a hallucination for the ears. You can take my word for it…the psychedelic blues of this Memphis trio will send you from Beale Street to oblivion…and that’s an experience that is not to be missed.
- HEAVY PLANET

The Heavy Eyes are an up and coming stoner/ blues rock band hailing from Memphis, Tennessee. These guys go back to the essence of the late 60's and early 70's to create their own distinct sound; Somewhere between Five Horse Johnson, Radio Moscow and Led Zeppelin. The band's second full-length, Maera continues where The Heavy Eyes left off. Behind the colourful artwork lies a clearer sound, more organic songwriting and tons of killer groove. The whole thing is driven by a hypnotic psychedelic vibe (think Jimi Hendrix) that goes perfectly with the excellent vocals. I think The Heavy Eyes are currently one of the best new bands out there and their latest album kicks more ass than a whole temple of shaolin monks. Yes, you should hear it.
- STONEROBIXX

The Heavy Eyes play a groove-laden style of blues with a hard and heavy edge. There are no major departures on 'Maera' from the identity the band established for themselves on their self-titled debut. The Heavy Eyes find their groove on 'Maera' allowing the blues to wash over them in a rising tide of fuzz, riffs and crash.  I start to wonder if these lads are incapable of recording a bad song, I haven't heard one from them yet.  I'd be surprised if this and future albums don't gain the band a lot more attention above and below ground.  There are so many gigantic riffs on display on this album that taken as a complete work 'Maera' is truly staggering and definitely the best new blues/rock album I've heard since The Black Keys' 'The Big Come Up' way back when. Rating 5/5
- PARANOID HITSOPHRENIC

The Heavy Eyes are set to roll out the follow-up to their self-titled debut with Maera, a joy ride from start to finish. Keeping good on their roots of Memphis rhythm and blues, the band scratch and claw their way for the distortion pedal, as they crank the amp up to eleven. None may phrase it better than the band, who call themselves “psychedelic blues rock…similar to a skeleton driving a speed boat on a flaming Mississippi River headed back to 1969.” Rating 8,5/10
- BLUES ROCK REVIEW
Heavy eyes pic
VINYL FACTZ

- 200x black / 200x transparent yellow / 100x transparent blue
- transparent blue vinyl exclusively available from Kozmik Artifactz
- all high-quality heavy 180g vinyl pressed in Germany
- 300gsm glossy gatefold cover
- handnumbered 

TRACKS

Side A:
1. Levantado 3:36 
2. One Hand On The Buffalo 3:30 
3. Maggie 2:45 
4. These Men Are Wolves 2:47 
5. Mind 3:01 
6. Parado 3:53
SideB: 
7. The Times 3:11 
8. AbbĂ© Faria 3:07 
9. Lately 3:25 
10. Goodnight 2:37 
11. Aplomado 9:56
Total 41:48 

The album is also available on CD!!

Listen to the album here:
http://theheavyeyesmemphis.bandcamp.com/releases


THE DIRTY STREETS - Movements LP

Dirty
        Streets
ARTIFACT #8
Release date: 11.02.2013


Memphis TNs, Dirty Streets fuse rock, soul and the blues into a gritty attack of retro roots rock.

PRESS CLIPS

When the Streets take off on a solo, there's no jam-band exploration, just full-on grimy attack. And the rough, menacing guitar tone is matched by vocals that growl and bark beyond their age. 
- Chris Herrington, MEMPHIS FLYER

The first truly great "new" band to emerge from the Memphis scene in recent memory, this trio of teen and twenty-somethings conjure a mass of thick riffs and a hearty retro rumble...
- Bob Mehr, GO MEMPHIS

Vocalist Justin Toland has a voice that reminds me of a mix between Leslie West (Mountain), Burton Cummings (The Guess Who), and to a point, Sam Velde (Night Horse).  The vocals are certainly a strong point. They’re very soulful and full of energy and give Movements that extra element that can make or break an album. In this case it certainly makes it. Vocals aren’t everything though. The instruments are just as strong. Justin’s guitar is just as equally good, bassist Thomas Storz certainly can kick it with the best as you can hear some pretty mean riffs and the beat gets stuck in your head. Andrew Denham’s drums sound basic but they certainly get the job done without all the extra pizazz that some bands go for.
Movements has a nice warm 70s classic rock and soul and blues rock feel to it. There are plenty of great guitar riffs, the vocals are excellent and it’s easy to get quite a few of the beats stuck in your head. It has a familiar but yet unique sound. It’s modern but yet feels so 1970-ish, even the artwork has a certain aspect that screams 1970s. This is a highlight album for 2011. We all know that modern rock radio today is crap and missing something. The Black Crowes are one of the few modern bands that make it somewhat enjoyable. Since they’re on hiatus someone needs to step up and fill that void. I believe that The Dirty Streets are one of those bands that are certainly capable of filling that void.
- THE SODA SHOP
Dirty streets pic
VINYL FACTZ

- 400 copies total: 100x black / 200x clear / 100x transparent orange
- transparent orange vinyl exclusively available from Kozmik Artifactz
- all high-quality heavy 180g vinyl pressed in Germany
- matt laquered 300gms gatefold cover
- handnumbered

TRACKS

Side A:
1. Broke As A Man Can Be 5:12
2. Cloud Of Strange 3:04
3. Felt 5:23
4. Fight You 4:11
5. Movements 3:52

Side B:
1. It's About Time 5:08
2. Trying Too Hard 3:40
3. What Do You Know 4:48
4. You Could Have Fooled Me 4:26
5. Native Sun 2:17    
Total 42:06

Listen to the album here:
http://dirtystreets.bandcamp.com/

MEXICOMA - Mexicoma LP

Mexicoma
BILOCATION #10
Release date: 22.02.2013


You're about to witness one of the heaviest bands of the genre. These 6 dudes (incl. 3 guitars and 1 heavenly hellish voice) from Sweden bring you an earth-shattering melange of stoner rock, doom and metal. So heavy, so melodic, so unique ... no need to categorize any further, just listen for yourself ... 

BANDINFO

Since the beginning in 2006, Mexicoma has grown from being a clean-cut stonerband to expressing a much more ambient and heavier sound. Just as a good whiskey, Mexicoma has needed the time to age and evolve to get the right taste. The earlier flirt with the 70s and more peeled off sound, has developed into a heavier and saturnine presence, without discarding their riff-based foundations. The sound today is easiest described as heavy-hearted and transformative, but at the same time still captivating and progressive. 

Mexicomas self-titled EP is far from the first recordings, still the release is stated as the first official issue. Although the band has been a part of Swedish scene in the north for several years, the time is now to reap what once was sown. Mexicoma is ready to conquer both the international scene as well as, once again, the Swedish one. 
mexicoma pic
VINYL FACTZ

- 300 copies total: 200x transparent yellow / 100x transparent red 
- transparent red vinyl exclusively available from Kozmik Artifactz incl. tarot card signed by the band 
- all high-quality heavy 180g vinyl pressed in Germany 
- matte laquered 300gms gatefold cover 
- handnumbered 

TRACKS 

Side A: 
1. 5.27 (7:04) 
2. Pray (6:14) 
3. Relentless (5:02) 
Side B: 
4. Truth Been Told (4:20) 
5. Bright Black Day (3:50) 
6. Omega Doom (7:27) 
Bonustrack: 
7. John The Revelator (Cover) (6:43) 
Total 40:40

You can listen to the album here:
http://mexicoma.bandcamp.com/album/mexicoma

Do not miss the following CD-Release:

CORTEZ - Cortez CD

Cortez
Here's a very experimented quatuor that delivers an amazing blend of 70's Heavy Rock and Doomy Stoner Rock, with an emphasis on groovy riffs and bluesy vocals; sometimes terribly heavy and shredding, sometimes more quiet and almost psychedelic, always characterized by catchy choruses and a strong musicianship. This is the perfect kind of BIG, LOUD and HEAVY stuff with a slight dirty and rebel edge that should maliciously play with your mind. (TEMPLE OF PERDITION - Webzine)

Cortez has solidified their place in the world of underground heavy rock, the new material simultaneously swinging and crushing with hooks for days.. These aren’t just songs, they are war cries and proclamations, letting the world know that Cortez means business and will not stop until their quest for the perfect riff or catchiest chorus is attained.
cortez pic
Listen to the album here:
http://cortezboston.bandcamp.com/album/cortez

Sunday, 6 January 2013

Hour of Power 01/05/13 (playlist)

Highlights from the week of 12/30/12 - 01/05/13




  1. Lately (The Heavy Eyes - Maera) 2012
  2. Set Me On Fire (Bottlecap - ST) 2012
  3. Beyond the Stars (Palace in Thunderland - Stars, Dreams, Seas) 2012
  4. Turn To Gray (HydroElectric) 2011
  5. Sunshine Day (Jethro Toe - 7" single) 1968
  6. Seaquake (Yama - Seaquake EP) 2012
  7. Symptoms [of the Human Race] (Motherslug - ST) 2012
  8. Diggin Down (Black Space Riders - Light is the New Black) 2012
  9. Spirits of Fire (Year of the Goat - Angels' Necropolis) 2012
  10. Evil Hearted (Dryasdust - Demo) 2013
  11. Watch Me Kill You (Salem's Pot - cassette EP) 2013

Sunday, 30 December 2012

2012 Chronicle (Year in review) part 12 - Best of December

December 2 - FROM BEYOND (The Color Out of Space EP) - Houston, Texas space / doom trio From Beyond's second EP of their rookie year isn't a complete departure from their first, but it does reveal them as a restless and ambitious band, never content to sit on a sound and ever ready to explore new ground.  Four great songs, each different in texture and style.  'The Color Out of Space' is an advancement from 'One Year' and it leaves me incredibly excited about the future of this band.  I was particularly fond of my recent review of this EP, and so were the band.  You can read it here.  Get it here.  Highlights include "The Dead Still Ride" and "The Color Out of Space".  Rating 5/5

December 2 - Mother Gun (Human EP)

December 6 - MOTHERSLOTH (Hazy Blur of Life) - Madrid, Spain based quartet Mothersloth play a very metallic style of sludge and doom.  Their four song EP is full of chunking and squealing heavy metal guitar, big throaty vocals and the heavy-hitting stylings of their drummer, the wonderfully-named, Gog. Get it here.  Highlights include "Pile of Fortune" and "Goliath".  Rating 3.5/5

December 7 - YEAR OF THE GOAT (Angels' Necropolis) - "Here we go again.  Yet another Swedish retro rock band."  Wrong.  Year of the Goat is a retro band with a difference.  They pay their fair share of homage to times past without slavishly attempting to recreate specific eras.  Rather, they are collageists who take a bit from here, take a bit from there and add their own flame to the fire.  The end result is eight terrific songs, a sweeping album full of excellent performances.  Find it here.  Highlights include "Spirit of Fire" and "I'll Die For You".  Rating 4/5 (full review coming soon)

December 12 - Enos (All Too Human)

December 13 - GEEZER (Handmade Heavy Blues) - Geezer don't lie.  Just look at the album title and that should give you your best clue as to what you might find on this fine 10 song collection.  Fans of Five Horse Johnson or Heavy Eyes will find a lot to love from this New York power trio, but fans of Robert Johnson, Son House, Willie Brown, etc. might love it even more.  Get it here.  Highlights include "Pony" and "I'm Coming Home".  Rating 4/5

December 13 - HELLRYDE INC. (Hellryde Incorporated) - I'm hearing this more and more and I like it.  Monterrey, Mexico's four piece Hellryde Inc play metal with groove and stoner elements.  The guitars squeal, the drums thrash, the bass is distorted to near inaudibility, but the songs and the riffs are built on a stoner foundation.  Check it out, this is high class stuff.  Highlights include "Piss Me Off" and "Insomnia".  Rating 4/5

December 13 - Stonebringer (Ocean of the Brave)

December 14 - THE HEAVY EYES (Maera) - After releasing one of the best albums of 2011, what do Memphis blues heavyweights The Heavy Eyes do for an encore?  They've thickened up their sound, the riffs are bigger, the grooves are filthier, the songs are tighter, the hooks are more memorable.  Simply put, The Heavy Eyes have unleashed a monster of an album, one of the year's best.  "These Men Are Wolves", "Parado", "Lately" and No. 1 hit "Levantado" are just a sampling of the abundance of standout material.  Read my review.  Get it here.  Highlights include "Lately" and "Levantado".  , Rating 5/5

December 18 - SLOW HEART (Dead Friends and Angry Lovers) - The latest incarnation of Ice Dragon and its multiple personae, Slow Heart is a goth / drone rock exorcism.  This project seems to be an expansion of certain moods and sounds found on Ice Dragon's 'Greyblackfalconhawk' album.  Get it here.  Highlights include "We Want The Night" and "Never Trust a Woman (Dressed in Black)".  Rating 4/5

December 19 - OWL (Christmas Mixtape 2012) - Owl's Christmas mixtape is a collection of free ballin' jams and outtakes, but it's no simple throwaway shit collage.  It's a 44-minute noise fest featuring some really good moments.  I don't think this stuff was recorded with the intention of release so some of it can sound rather poorly, but I listen to a lot of scratchy delta blues records from the 30s and psychedelic underground acetates of the 60s so unmastered de-studiofied recording are alright by me.  And who doesn't love tapes?  I was a diehard tape guy before I was a diehard CD guy.  It wasn't until about '98 when labels stopped making tapes that I finally switched over to CDs ...  Get your gift here.  Highlights include "Chromatose" and "The Demon is Born".  Rating There's something very inherently wrong with 'rating' a Christmas mixtape.

December 21 - 1000mods (Valley of Sand EP)

December 21 - WHEELFALL / A VERY OLD GHOST BEHIND THE FARM split - Heavy, heavy stuff from France.  Wheelfall's still warm on the table album 'Interzone' album has been a critical hit.  This is the first new music AVOGBTF has released in two full years, whose album 'Primary Septagon' is a real favorite at PH.  The wait was worth it.  Crushing doom.  Get crushed here.  Highlights include "Hangman's Laugh" and "Navigating on the Seas of Dementia".  Rating 4.5/5

December 22 - PALACE IN THUNDERLAND (Stars, Dreams, Seas) - This three song demo from New England supergroup Palace in Thunderland is the first release from the group since splitting up in 2007.  Back then they weren't a supergroup, they were just a group.  'Stars, Dreams, Seas' shows some different sides but mostly fits into the stoner / space rock genres.  Get it here.  Highlights include "Beyond The Stars" and "Awakened Dream".  Rating 4.5/5

December 25 - Balam - New Song [No Vocals] Preproduction 2013

December 26 - Deaf Flow (Songs From The Dark Side of Uranus)

Best Album From December 2012:
'Maera' by THE HEAVY EYES

Best Song From December 2012:
"The Dead Still Ride" by FROM BEYOND

Hour of Power 12/29/12 (playlist)

Highlights from the week of 12/23/12 - 12/29/12


  1. Defecting Grey (The Pretty Things - 7" single) 1967
  2. Mr. Evasion (The Pretty Things - 7" single) 1967
  3. U-Turn (The Quartet of Woah! - Ultrabomb) 2012
  4. Grind It (Lord 13 - 2013) 2011
  5. All Too Human (Enos - All Too Human) 2012
  6. These Men Are Wolves (The Heavy Eyes - Maera) 2012
  7. I Need Soul (The Brimstone Days - On A Monday Too Early To Tell) 2012
  8. The Goat of Mendhis (Sonic Mass - Magnetic Electric) 2012
  9. Awakened Dream (Palace in Thunderland - Stars, Dreams, Seas) 2012
  10. Night of the Dancing Witch [instrumental version] (Talis - GLOT) 2012
  11. The Darkest Night (Death SS - The Darkest Night) 2013
  12. Talkin About The Good Times (The Pretty Things - 7" single) 1968
  13. Walking Through My Dreams (The Pretty Things - 7" single) 1968

Wednesday, 26 December 2012

The Heavy Eyes - Maera (album review)

The Heavy Eyes are one of the most enthusiastic bands out there.  The Tennessee three piece blues rockers released two singles leading up to the release of 'Maera', one of which was a two song demo of unfinished songs.  I love that, it says they're excited about what they're doing.  They know they make great music and they can't wait to unleash it on the public.

Their self-titled debut, just a little over a year old made many 'End Of The Year' lists and deservedly so.  It was an uptempo affair from beginning to end, a rock solid album featuring one great song after another.  So needless to say expectations are high for the band to repeat their earlier success.  'Maera' is in a lot of ways a slower, more midtempo record overall, but that's okay, they wear it well.

After kicking things off in high energy fashion with the excellent "Levantado" (No. 1 in the Doom Charts), the band quickly gear it down.  There's a lesson to be learned here, one that every doom metal band in the world knows quite well, that is: the slower the tempo the heavier the riff, and in the case of The Heavy Eyes in particular, the slower the tempo the more funky and groovy the rhythm.  The restraint shown by the band by the tremendous opener giving way to a clutch of slightly more laid back and groovy material creates tension, which infuses the album with a lot of pent up energy on a bushel of tracks, most of the first few in particular, "One Hand on the Buffalo", "Maggie" and "Mind" all slow things down a notch.  Maybe it's a case of familiarity with the band creating expectations of faster rhythms, but the way the band manages to slow things down here is a point well taken.

"These Men Are Wolves", released earlier in the year as a single b/w a terrific version of "Catfish Blues", one of the legendary songs that started it all in this rock & roll thing, is recorded for 'Maera' in slightly slower fashion to great effect.  The slightly slower tempo certainly suits the lyrical content of the song better, lending the song a more sinister vibe, making the warning in the lyrics less implicit and more visceral.  Maybe it's a technique of recording and studio production that only makes it seem slower, maybe it's only 1/64th slower but there's something there that thickens the pace.  It was a great song in May, it's an even better song now.

"Parado" is a juggernaut of blues funk that stomps confidently into Black Sabbath territory.  One thing you can say about the band is that they don't overstay their welcome.  Some bands can pull off extending a song and repeating a riff for seven-plus minutes and come out smelling like roses.  The Heavy Eyes riffs are monumental and they would be forgiven for keeping the groove going for an extra minute or two longer as they sometimes did on their self-titled debut, but they don't do that here.  They keep things tight and for the most part under four minutes, with a single exception on this collection of eleven songs, which is really nothing unusual for the band, but the riffs here are bigger and more memorable.  None are bigger than the snaking riff of "Lately".  It's the kind of riff one can only write after spending the night at the crossroads and waking up 21 grams lighter, so to speak, it's that good.

Closing track "Aplomado" is the final installment of a trilogy of Spanish titled songs along with "Levantado" and "Parado".  It's a funky seven minute instrumental jam where they finally do that thing I said they didn't do, which is to just repeat a great riff and extend a song to seven-plus minutes, twice the length of any other song found on this collection.  Well, The Heavy Eyes come out of this one smelling like roses, too.

The Heavy Eyes play a groove-laden style of blues with a hard and heavy edge.  There are no major departures on 'Maera' from the identity the band established for themselves on their self-titled debut.  The Heavy Eyes find their groove on 'Maera' allowing the blues to wash over them in a rising tide of fuzz, riffs and crash.  I start to wonder if these lads are incapable of recording a bad song, I haven't heard one from them yet.  I'd be surprised if this and future albums don't gain the band a lot more attention above and below ground.  There are so many gigantic riffs on display on this album that taken as a complete work 'Maera' is truly staggering and definitely the best new blues/rock album I've heard since The Black Keys' 'The Big Come Up' way back when.

Highlights include: "Lately" and "Levantado"

Rating: 5/5

Total Run Time: 41:48

From: Memphis, Tennessee

Genre: Blues, Hard Rock, Stoner

Reminds me of: Black Keys, Dirty Streets, Monster Truck, Sheepdogs, The South

Release Date: December 14, 2012

Suggested listening activity for fellow non-stoners: Bury your problems down at the bottom of a river

Sunday, 2 December 2012

Hour of Power 12/01/12 (playlist)

Highlights from the week of 11/25/12 - 12/01/12




  1. Night (Ice Dragon / Tome of the Future Ancients) 2012
  2. Amaranth [live] (Windhand) 2012
  3. Navy in Alice (1000mods / Super Van Vacation) 2011
  4. Everything Divine (Seamount / Earthmother) 2012
  5. Blackbird (Dwellers / Good Morning Harakiri) 2012
  6. White Magic Black Magic (Saint Vitus / ST) 1984
  7. Searching (Three Seasons / Understanding the World) 2012
  8. Cosmic Cruiser X (Mage / Black Sands) 2012
  9. Growers of Mushroom (Leaf Hound / Growers of Mushroom) 1971
  10. Levantado (Heavy Eyes / Maera Demo) 2012
  11. Milk (White Bone Rattle / Creature of Curiosity) 2012
  12. Understanding Ouroboros (Ice Dragon / A Gallery of Rogues) 2012
Related Posts Plugin for WordPress, Blogger...