Cover artwork by Tony Roberts. |
Conan
is one of my favorite bands. When I
first discovered doom metal, I did it from the ground floor up, by sampling the
bands that made the genre: Trouble, Witchfinder General, Saint Vitus and then
Pentagram, before dipping a toe into the churning waters of today’s ceaseless
flow of new bands. Conan was the first
of the newer bands that I heard that I thought had the
potential to have as lasting a legacy as the greats of yesteryear, to be seen
30 years on the way I see those bands listed above. It’s destiny etched on a crude, blunt weapon. In short, Conan are a living legend, or at
the very least, one in the making. Their
first album, ‘Monnos’ was very good.
Solid stuff to be sure. The forthcoming
‘Blood Eagle’ is a king-making kind of album.
‘Blood
Eagle’ cuts right down to the heart of Conan’s sound, pulsating, pounding,
rumbling and most of all, driving. A
death-dealing barbarian stalking with purpose through the canyon pass, one foot
in front of the other, knowing the marauders will ambush but ever-vigilant,
meaty hand on hilt. Vocalist / guitarist
Jon Davis pens monosyllabic lyrics with clear, precise and uncomplicated
meaning, thinking like a Neolithic warrior.
On ‘Blood Eagle’ the music follows suit.
The results are devastating. This
is the album Conan was meant to produce.
I don’t think it’s unfair to say that the band has lived up to its Full
Potential here.
Conan
doesn't do anything unfamiliar on 'Blood Eagle', those elements that we’ve come to expect
from the band are simply heightened, the band’s instincts sharpened. Played at full volume, Conan’s buzzing
heaviness is at a vision-inducing, religious experience level. When Phil Coumbe’s bass kicks in two minutes
into opening number “Crown of Talons” it is positively brain rattling. The last minute or so of the nearly 10 minute
opener is exactly what I’m talking about.
It’s the closest thing to a physical beat down that music can get, just
a relentless wash of hammering strikes.
A tone setter indeed, that sensibility is carried over across the entire
album. ‘Monnos’ was split between
driving, war-torn action and battle-weary contemplation. ‘Blood Eagle’ is a tireless campaign of
conquest and decimation.
Conan
is a band of musical weapons, the more simplistic, the more brutal, the better. In Conan’s world, engines of war are elephant
powered, armor consists of leather and one’s only shield is the wits a pitiless
god has granted them. You won’t hear any
psychedelic soundscapes on this album.
Quiet moments of reflection are what happens when the bone-tired victor
takes a sip from a blood-clouded watering hole after battle. Conan’s weapons are bludgeoning and
honest. “Gravity Chasm” embodies this
aesthetic, heavy fuzz spikes between smashing drum strikes. “Horns for Teeth” chugs masterfully at
headbanging pace, choking out the listener with changing tempos, dragging out
the final moment, easing up then pressing harder. The lead single, “Foehammer” introduces a
table spoon of rhythmic complexity to the album and at no loss to its overall
mood [Watch the video below].
Mention
should also be made of Davis’s new Skyhammer Studios. ‘Blood Eagle’ wasn’t the first album to be
recorded at the newborn studio (if memory serves that honor went to Serpent
Venom), but this is the first album to emerge from Skyhammer that I've heard. It sounds excellent, resonant and
full-bodied with mastering to match. Depth is at a surplus making 'Blood Eagle' a 44 series of ever-increasing peaks.
[Also,while waiting for 'Blood Eagle' to hit stores and mailboxes be sure to check out Conan's bandcamp page for a recently released live album right here.]
Highlights include: "Foehammer" and "Crown of Talons"
Rating: 5/5
Tracklist:
1). Crown of Talons (9:48)
2). Total Conquest (6:28)
3). Foehammer (4:55)
4). Gravity Chasm (7:57)
5). Horns for Teeth (5:46)
6). Altar of Grief (9:00)
Total Run Time: 43:52
Genre: Doom, Sludge
Reminds me of: Aleph Null, Crowbar, Eyehategod, Slomatics
Release Date: March 11, 2014
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