Wednesday, 12 February 2014

Doom Chart: Most Paranoid Songs of 02/12/14

Top 25 Songs
#). Song Title (artist/album)
  1. Necromance (Goya / 777)
  2. Shades of Black (Demon Eye / Leave the Light)
  3. Trinity (Argus / Beyond the Martyrs)
  4. 1901 (The Great Electric Quest / Chapter II E.P.)
  5. Slave the Hive (High on Fire / digital single)
  6. Steel Veins (Ice Dragon / digital single)
  7. War At The Edge Of The End (Eternal Champion / 7"single)
  8. Easy Come, Easy Go (Foghound / Quick, Dirty & High)
  9. Bottomless Lies (Sandveiss / Scream Queen)
  10. So You Have Chosen Death (Saturn / Ascending)
  11. There's Nothing Like Revenge For Getting Back At People (Hot Lunch / split single w/ Lecherous Gaze)
  12. To Let Silver (La Chinga / ST)
  13. Rise of the Royal Reptiles (Sonic Mass / All Creatures Strange)
  14. Sky Knight (Earth Witch / Earthbound EP)***
  15. Palm Reader (Castles / Fiction Or Truth?)
  16. Ocular Terror (Black Majik Acid / ST)
  17. Avra Kadavra (Black Vulpine / Demo Single 2013)
  18. The Coffin (Violet Temple / Violet Temple of Doom)
  19. The King Is Back (Naked Brown / Not So Bad)***
  20. Elvira (Ghold / Galactic Hiss)
  21. King Stuste (Woodwall / Wood Empire)
  22. Bellydancer's Delight [I. Vampire's Night Orgy - II. Stompers Rumble] (Satan's Satyrs / Wild Beyond Belief)
  23. Phobia (Mist / Demo 2013)
  24. The Dream Calls For Blood (Death Angel / The Dream Calls For Blood)
  25. Super Wizard (Ancient Warlocks / ST)***
*** New Song

Outgoing songs:
Fall Through (Maze of Roots / 2013)
Come Samhain (Zodiac / digital single)
Ramona Parra (The Myrrors / 7" single)

Why I Doom Part 3 - I Sold My Soul For Black Sabbath


"You can't just turn it off and on like a switch."

It's a familiar refrain.  You hear it at the end of every sports season when teams are asked the pointed question of whether or not they will rest starters and risk losing momentum before the playoffs begin.  If there is anything equivalent to the playoffs in the doom blogging world it's the end of the calendar year.  A time for best of lists and looks back.  In truth, a time of increased traffic and increased workloads.

I took a couple of weeks off at the beginning of the year (after the "playoffs") and the truth is, it's been a struggle to get back up to full speed.  I haven't been in "game shape".  And so that old familiar refrain has proven true.  The spirit is willing but the clock makes weaklings of us all.

One thing I always have time for however, is the first six Black Sabbath albums.  Last week, I was on my way to work and had just finished listening to 'Not So Bad', the killer sophomore outing from Polish stoner band Naked Brown (you better believe a full review is coming!) and stuck for ideas of what to listen to next, I went to the old stand-by solution.  I threw on "Into the Void" by Black Sabbath and chased it with 'Vol. 4' and got through the first half of 'Sabbath Bloody Sabbath' before my shift started.  It ended up being a productive day at work.  I was energized, excited and just felt good to be me, good to be alive.  I was singing and head nodding on the break room deck, walking around, unable to sit down.  Some 15 years after "discovering" the band, this is what Sabbath still does to me.

The truth is, the feeling I get from listening to those albums is nearly indescribable, but I'll try to do it anyway.  If we all had somebody in our lives that made us feel this way after so many years, I think we'd all be truly happy and basically cut all the petty shit, be productive people and just get on with our lives.  This may seem like a superfluous statement but I think Sabbath fans would all understand what I mean when I say, "fucking people, man!  People!"  Who among us Sabbath fans hasn't found (or at least tried to find) that quiet spot at the party, away from people, in the basement or on the porch or on the un-lit side of the house?  Why?  Because you just need a break from people, because you don't feel like being judged or pressured and just want to relax for a minute, collect your thought and be yourself.  Basically, Sabbath makes me feel like it's okay to be me.  Sure, I feel that way much of the time anyway, but those first six Sabbath albums make me feel like it's really okay and not just something that I take on faith.

I remember my redneck metalhead uncles discussing Black Sabbath reverently and with a twinge of fear or awe in their eyes when I was very little.  The name and associated imagery along with my uncles's reaction to the band made me shy away from them for years.  It's not that I wasn't interested, that I wasn't drawn to this dark, secretive music and its forbidden promises, it's that I knew I wasn't ready.  Surely, this was evil, evil music.  Just hearing it in the background might infect my mind with devils.  Knowing that it was older, slower and heavier than the Venom's and Slayer's of the world just made it seem all the more unholy.  This mysterious entity emerged like a chthonic god of the underworld at a time when feel good hits dominated AM radio.  This was primordial heavy metal, it just had to be the most evil thing in the entire world.  Without hearing too much of it I just knew it was too hardcore for my little mind to handle.  So I latched on to AC/DC and Metallica, Faith No More and Guns n Roses.  Safer stuff.  But in the back of my mind I always knew I'd get there eventually.

My mom tried to raise us Christian and though she failed ... miserably, some of that stuff just never leaves you.  If nothing else, she instilled in me a healthy dose of paranoia.  When I was eight or nine years old she told me that the government was watching me through the TV screen.  She told me that paper money and coins were going to be replaced entirely by "credits" or numbers on a computer and that in order to have access to my credits a future one world government was going to try to make me receive the mark of the beast, which I always imagined was a tattooed barcode on my forehead, and that it all had to do with a final war between God and Satan.  Only those who didn't receive the mark would find their place in heaven.  I only found out last summer that she was raised as a Jehovah's Witness until she became pregnant with my older brother at the age of 14.  It seemed the community elders didn't take too kindly to the little miracle that was my sibling and she was summarily excommunicated for the act of life-giving.  All of this goes towards describing my young mindset which was inquisitive, but tempered by superstition.  I didn't "believe" in any of the stuff she told me, but I thought it a good idea to hedge my bets by not diving head first into the wrong side of the eternal struggle.

But by the time I was 17 years old, I knew I was ready.

I got my hands on the first album and "Paranoid" and there's been no looking back ever since.  The music was incredible with a dark atmosphere like no one else and an otherworldly heaviness.  The subject matter wasn't ao shocking to me though because I saw it coming.  "Black Sabbath", "War Pigs", "Electric Funeral" and "Hand of Doom" were almost tame compared to my expectations.  The shock came later, when I heard "After Forever" for the first time.  Now that I didn't see coming.  Being the age I was I hated the song at the time because it was pro-God and flew so much in the face of what I expected of the band.  Maybe listening to Black Sabbath wasn't the most bad ass thing in the world I could do.  The song is now one of my many favorites from the band and I've even grown to love it's positive nature.  Matter of fact, it's almost the perfect song to capture and articulate the entire ouevre of Black Sabbath (or at least the first six albums) which is: Don't judge a book by it's cover and question everything, especially yourself.

And so, they are the perfect band for the introvert.  The heaviness enshrouds you and comforts you in its darkness, creates a still, internal place where you can really examine yourself, the world around you and your place in it.  Important stuff!  You go this place with headphones and maybe dark sunglasses on and either your hair or a beer hiding your face.  This is a place to get lost in, a place where it's okay, really okay to be who you are, even though you're still working on it.  Above all else, though they are discussing some heavy topics there remains and overlying positivity to it, especially on "Master of Reality" and beyond.

15 years later and through all the changes I've gone through in my musical tastes and trying new things and new genres, Black Sabbath has remained the one constant.  There are other bands that do similar things to me: the first four Metallica albums, Monster Magnet, Alice in Chains and The Beatles spring instantly to mind and perhaps even Nine Inch Nails if I ever listened to it, but Sabbath is Sabbath and I've never failed to observe it and keep it "unholy".  They all do different things to me, but none of them are as "life affirming" as Sabbath.  You go through life and you do your thing, you float through it doing your best and once you pass a certain age it doesn't occur to you that you need some kind of external boost until you get one.  I'm as comfortable in my own skin as I'm ever going to be, but it still feels great to listen to The Six and have that deep seated belief that it's okay to be an outsider confirmed.  The first six Black Sabbath albums (or "The Six" as I call them) are always there for me even when I'm not.  Maybe you can't just turn it off and on like a switch, but The Six will always turn me on when I'm feeling uninspired.  They are like a best friend, a constant companion, they are a part of my life and I couldn't imagine what life would have been like without them.  That's the power of music.

Thanks for reading.

Friday, 7 February 2014

Hour of Power 02/07/14



  1. Empress Rising (Monolord / Empress Rising) PRE
  2. Jehovah on Death (Sabbath Assembly / Quaternity)
  3. Blizaro live at Niagara Rockfest 2013
  4. Sweet's Too Slow [live] (Ancient Warlocks / ST)
  5. Early Grave / Catty [live] (La Chinga / ST)
  6. Getting Fu++ed (Rage of Samedi / SignPRE
  7. Old Train (Monster Truck / Furiosity)
  8. Seminary Woods (Moon Curse / previously unfinished track from ST)
  9. ***Summer of the Horse (Dreaming / II)
  10. Witch of Circumstance (Vykanthrope / The Devil's Waiting ... EP)

*** Thanks to good blogging buddy Steve Miller for this vid!
 PRE = Pre-Release / Not yet available

Wednesday, 5 February 2014

Doom Chart: Most Paranoid Songs of 02/05/14

Top 25 Songs
#). Song Title (artist/album)
  1. Necromance (Goya / 777)
  2. Shades of Black (Demon Eye / Leave the Light)
  3. Fall Through (Maze of Roots / 2013)
  4. Trinity (Argus / Beyond the Martyrs)
  5. 1901 (The Great Electric Quest / Chapter II E.P.)
  6. Slave the Hive (High on Fire / digital single)
  7. Bottomless Lies (Sandveiss / Scream Queen)
  8. So You Have Chosen Death (Saturn / Ascending)
  9. Steel Veins (Ice Dragon / digital single)
  10. War At The Edge Of The End (Eternal Champion / 7"single)
  11. Easy Come, Easy Go (Foghound / Quick, Dirty & High)***
  12. To Let Silver (La Chinga / ST)
  13. Come Samhain (Zodiac / digital single)
  14. Rise of the Royal Reptiles (Sonic Mass / All Creatures Strange)
  15. Ocular Terror (Black Majik Acid / ST)
  16. Elvira (Ghold / Galactic Hiss)***
  17. King Stuste (Woodwall / Wood Empire)***
  18. Bellydancer's Delight [I. Vampire's Night Orgy - II. Stompers Rumble] (Satan's Satyrs / Wild Beyond Belief)***
  19. Avra Kadavra (Black Vulpine / Demo Single 2013)***
  20. Palm Reader (Castles / Fiction Or Truth?)
  21. Phobia (Mist / Demo 2013)
  22. The Coffin (Violet Temple / Violet Temple of Doom)***
  23. There's Nothing Like Revenge For Getting Back At People (Hot Lunch / split single w/ Lecherous Gaze)***
  24. Ramona Parra (The Myrrors / 7" single)
  25. The Dream Calls For Blood (Death Angel / The Dream Calls For Blood)***
*** New Song

Outgoing songs:
Blood & Whiskey (Doctor Smoke / Demo 2013)
Robotic Invasion (Fu Manchu / split single w/ Moab)
Horse Called Doom (Arrowhead / Atomsmasher)
Gary's Graveyard (Smoke / ST)
Mrs. Absinthe (Crypt Trip / ST E.P.)
As You Wish (Vista Chino / Peace)
The Dog (Hollow Leg / Abysmal)
Dead Friends (Doomriders / Grand Blood)
PARANOID Spotlight on:
ETERNAL CHAMPION – “War at the Edge of the End”
Eternal Champion are a new band from the home of the greatest comedian of all-time Bill Hicks, Austin, Texas.  They've released two songs on bandcamp since their inception in December of 2012, the second [b-side] of which, "War at the Edge of the End" debuted on last week's Most Paranoid Songs list and currently holds up the back end of the Top 10 here [see link at #10 listing].  The song, along with its corresponding a-side "The Last King of Pictdom" was released on 7" vinyl and cassette in the first half of 2013 but didn't come across my radar screen until the year was nearly over.


They are a five piece band, double-fisting guitars, playing epic heavy metal in the classic vein saturated in fantasy influences.  The heavy metal warriors in the band also spend time in Power Trip and Iron Age so this isn't some group of greenhorns bounding aimlessly on a journey of discovery.  Eternal Champion's steel is keen-edged, these veterans are ready for Ragnarok and their seat in Valhalla.  The band has a third song up on youtube from their performance at Chaos In Tejas called "Invoker" [watch it here], and from the video you can see what the band is all about: namely tempests of flying hair, musky / muscular riffs, sorcerous songwriting and of course, power vocals.

With no hype machine reminding you to check out their bandcamp page or their next show assaulting you from fifty directions every day, a band like this must stand or fall on the strength of the music alone.  Well Eternal Champion stand tall, true to their name, like the eye of Sauron from the craggy peaks of Mordor.  

Tuesday, 4 February 2014

Vykanthrope - The Devil's Waiting ... (album review)

I promise I'm not going to make this review all about the Paranoid blog ... BUT, we're now getting to a time when the bands that are featured here were founded after the blog started up.  It's hard to wrap my mind around that.  This bone-jarring quartet sails down in their long ships from Evansville, Indiana to make it two such bands in two days (the other being Earth Witch).  They label their music as "viking war doom", so don't take it from me, but this five song E.P. is loaded with berserker fury.  They don't do it with hellfire spitting tempos, but a white-knuckled intensity.  Henry Rollins once reportedly heard The Obsessed described as something like "'somebody getting angry really slowly.'  And the man that's slow to anger stays angry for a very long time", and I think that applies here.

There are moments here so brutal and animalistic you might think the band name is a misnomer and that they are reduced at times to the aspect of ravenous quadrupeds (see "The Devil's Waiting").  But there's more to this band than seething anger.  Opening track "Witch of Circumstance" combines a powerful riff with a strong vocal performance that is both melodic and forceful.  Drums and vocals carry much of the weight during the verse as the guitar drops off to a simmering drone.  The guitar then slips into a psychedelic lead thus revealing a wide spectrum of abilities and styles on display.  And that's just the first five minutes.  Talk about a statement!

"The Wizard" picks up on those psychedelic tendencies and exposes them in a blue light, crafting a slow bass-dominated psychedelic blues groove seasoned in cavernous echo framed around a Black Sabbath-like fantasy vocal.  The fury then boils to the surface during the chorus, first picking up the pace, then pouring on the heaviness before kicking into a smoking lead.  By now the band has come a long way moving through various shapes and styles, but the best and most memorable is yet to come.

"Viking's Witch" and title track "The Devil's Waiting" are like parts 1 & 2 of the same song, one leading into the next.  "Viking's Witch" has a killer slidey riff and has a strong Red Fang feel to the vocals.  The band knows how to bludgeon their way into your mind like an iron fist with a drop off and pick up syncopation during the chorus near the end of the song ("Wait!  Wait!  Wait!").  "The Devil's Waiting" may not be the best, but it is certainly the most memorable song of the bunch.  With no time between tracks a drop in tempo and jumping straight into the verse "God damn fucking son of a bitch, she said / Who the fuck does he think he is?" it'll have you checking to make sure this isn't just another section of the same song.

Again, the band cover many hectares of musical ground on just under 22 minutes and do it within a signature framework.  'The Devil's Waiting' is a strong introduction to a band that was just a twinkle in the eyes of its founders when this blog was new (god damn, man, [sniffle] we were all so much younger then ...).  The sheer volume of ideas, styles and memorable moments on this E.P. combined with a number of solid, key riffs flag Vykanthrope as one of the most promising new bands in the stoner / doom genre.  Now's the time to jump on board the bandwagon (or viking ship), I would if I was you, after all I'd hate to cross swords with these animals.

Highlights include: "Witch of Circumstance" and "Viking's Witch / The Devil's Waiting"

Rating: 4.5/5

Total Run Time: 21:44

From: Evansville, Indiana

Genre: Doom, Stoner Metal

Reminds me of: Ancient Warlocks, Breathe Fire, Earth Witch, Red Fang, Wounded Giant

Release Date: December 21, 2013

Vykanthrope on facebook

Monday, 3 February 2014

Earth Witch - Earthbound (album review)

Excellent cover artwork by Nate Burns.
Every now and then you stumble across something amazing.  Champaign, Illinois doom trio Earth Witch are just such a discovery.  The band started up on ol' Samhain night of 2012 and the 'Earthbound' E.P. is their debut record originally released on bandcamp just under a year from their formation.  It's been made available on cassette through Error Records more recently and all five songs on it are keepers.  Side A kicks off with a pair of future classics.

"Sky Knight" gets the pupils dilating, it gets the heart rate up and makes the palms sweat.  It does this with a heavy riff that's as much "finesse" as chopping a piece of wood, with an unabashedly catchy stop-start pulse from drummer Nathan.  This song was made for headbangin', pure and simple.  The stop-start sensibility allows the song to be a constant builder, the band upping the excitement level with each pass before the song dissipates in a cosmic swamp of doom.  The first half of the song is like a flexed muscle which in the end, relaxes or relinquishes.  Or better yet, the song is like a body sinking in quicksand which ultimately ceases its struggling.

It's also kind of rare to get that full-on Black Sabbath vibe, but Earth Witch pulls it off on "Lunar".  It should come as no shock as the only description the band uses on its bandcamp page consists of two words: "Sabbath worship".  Still, it's a joy to hear.  Mournful vocals and a monolithic, descending riff give way to a descending scale and lead in double time conjuring the ghost of Sabbath but also of a more recent band like Moon Curse, Set or Destroyer of Light.  The song then takes an abrupt turn with a cold and lonely vibe worthy of the song's title.  The band does an excellent job of conveying that lunar feeling of absurd cold and bizarre isolation.  Ivan's vocals are mostly clean and straightforward on this one, but he's given to raunch them out every now and then on the record as a whole.

By now a pattern emerges and a formula is established of a heavy band with one eye on extreme catchiness and the other on crumpling heaviness.  In the first two songs the band doesn't often bother to try to meld the two styles, they simply give you one and then the other.  The final three tracks are shorter with abbreviated instrumental sections.  While the first two tracks roam beyond the 7 minute border with a slower, more instrumentally focused second half, the final three songs keep things moving with only the closing track wandering past the 4 minute mark.  "Aggregate" and "Wizard's Cloak" follow a bit of that one-song formula when taken together, the catchier "Aggregate" leading into the slower, sludgier "Wizard's Cloak".

I honestly can't understand why this band only has some 200 "likes" on facebook, or why nobody has bought 'Earthbound' on bandcamp this year (as of this writing, my purchase is the most recent one and that came in December).  I'm somewhat to blame perhaps, for not getting this review out sooner, but really, this is a mystery to me.  Maybe it's the generic band name, or the cover art which, though amazing in its own right, may convey more of a black metal image, sending the wrong message, or maybe it's that they're from middle-of-nowhere Illinois and not from middle-of-nowhere Norway, I don't know.  What I do know is this is one of the best bandcamp albums I've heard in a long time and it reminds me of the kinds of albums I was finding when I was new to doom, the life-changing ones that made me a fan of the genre for life and lit a fire under my ass to start this blog, albums such as Moon Curse's and Destroyer of Light's self-titled debuts and Set's 'Sacred Moon Cult' E.P. in particular.  I would recommend this five-song E.P. to any fan of the genre, I don't want this band to be my little secret any longer.

Highlights include: "Lunar" and "Sky Knight"

Rating: 4.5/5

Total Run Time: 27:23

From: Champaign, Illinois

Genre: Doom, Sludge

Reminds me of: Destroyer of Light, Moon Curse, Set

Release Date: October 15, 2013

Earth Witch on facebook
Buy the tape from Error Records

Sunday, 2 February 2014

Doom Chart: Most Paranoid Albums of 02/01/14

Top 30 Albums
#). artist - album title
Cover artwork by John Hitselberger.
  1. Demon Eye - Leave the Light
  2. Breathe Fire - EP
  3. Satan's Satyrs - Wild Beyond Belief
  4. The Great Electric Quest - Chapter II EP
  5. Blackwitch Pudding - Taste the Pudding
  6. Buzzherd - On Sinking Ships ... Rats Drown
  7. Moosataur - ST
  8. Earth Witch - Earthbound EP
  9. Blizaro - Strange Doorways
  10. Black Majik Acid - ST
  11. Doctor Cyclops - Oscuropasso
  12. Sangoma - Diviner
  13. Ancient Warlocks - ST
  14. Sonic Mass - All Creatures Strange
  15. Doctor Smoke - ST EP
  16. *The Electric Revival - Pirate Radio
  17. Dirt Wizard - No Son of Mine
  18. Wizard Union - Smoking Coffins
  19. Vykanthrope - The Devil's Waiting
  20. Stone Dagger - The Siege of Jerusalem
  21. Earthbound Machine - Hungerland***
  22. Naked Brown - Not So Bad***
  23. Clan - EP 2013***
  24. Destroyer of Light - Bizarre Tales Vol. 2***
  25. Birch Crown - ST
  26. Nigromante - Black Magic Night
  27. Ordos - ST
  28. Lizardia - ST
  29. Slown - Cosmic Hellrock Deluxe
  30. Funeral Horse - Savage Audio Demon
*Album available on itunes but is to be re-released by Cruzar Media on Feb. 14.
*** New Listing

PARANOID Spotlight on:
BIRCH CROWN – ‘Birch Crown’
Birch Crown is a one man doom project from Gorizia, Italy, a city on the Italian - Slovenian border.  The "one man" in question may be familiar to some of you from the band Deep [featured here], who released their album 'Vol. 1' on bandcamp last summer, and which was recently released in physical format by Transubstans Records.  But musically, Birch Crown has little to nothing to do with Deep.

Birch Crown Doom is deep to be sure, intense, traditional and inimitable all at once, doom borne of a singular vision wherein riffs bloom and branch off in unexpected patterns in an organic, one might say tree-like fashion and drums are an afterthought.  In fact, it might take a couple listens to realize that there are "drum tracks" on every song, these being little more than click tracks.  It's hard to even call these drums "percussive elements" because "percussion" implies some kind of resonance of which there is none to be found here.  Don't let the lack of drums turn you off however, the seductiveness of Birch Crown lies in its foresty, almost folky feelings.  This is no picnic in the woods however, an element of mortal danger lingers overhead of every moment of this 7-track album like the sword of Damocles.

Birch Crown is slowly making an impact in the world of underground doom metal and I wonder if and when we'll hear again from this unusual project.  I certainly hope so.  I also wonder if and when a drummer will be added to the mix and how that might change things.  For now there's 'Birch Crown', an unconventional doom album with unconventional ideas and unconventional riffs that hits that sweet spot of being lost in the darkening woods just before sunset.  The album is holding the #25 spot on this week's list, that's where you'll find the album by clicking through the link ...
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